Donia Mounsef is Associate Professor of drama at the University of Alberta. A performance theorist and dramaturge, she is the author of Chair et révolte dans le théâtre de Bernard-Marie Koltès (l’Harmattan, 2005) and the co-editor of “The Transparency of the Text” (Yale French Studies, 2007). She publishes widely on intermediality, adaptation, media and violence, documentary theatre, trauma theory, surveillance and souveillance, gender and feminist performance. Her work appeared in Journal of Dramatic Theory and Criticism, Yale French Studies, Esprit Créateur, Yale Journal of Criticism, Women and Performance Journal, Féminismos, Prague Journal of English Studies, Journal of Global Studies and Contemporary Art, etc. She is currently working on a book length study on Transmediality and Biopolitics: Digital Mediation in the Performing Arts.